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I have decided for the month of September to read 30 plays in 30 days. It is my belief that, if possible, a play should be read in one sitting to get a better inherent sense of the dramatic arc. Each day, I will write a short post here about the play of the day.
Play #27
Mary, Mary by Jean Kerr
Mary, Mary opened on Broadway in March of 1961 at the original Helen Hayes Theater. It ran for 3 years and 9 months before it transferred to the Morasco. It ended up closing December 12, 1964 after 1,572 performances.
Let me say it again--- 1,572 performances.
That makes it the longest-running non-musical play of the 1960s. The play ran much longer than the film adaptation of it.
Now, if you were to have asked me what the longest-running Broadway non-musical play of the 1960s had been I probably would have guessed one of Neil Simon's comedies, either The Odd Couple or Barefoot in the Park.
How happy I am to have been wrong! I confess, I find it incredibly refreshing that a female playwright writing a character about a woman who has grown in to finding her agency was such an incredible success. And here's the thing--- it is a pure joy to read, and I imagine is even more fun to see onstage.
Mary, Mary begins with Bob, divorced for about nine months, in the midst of planning to get remarried to Tiffany. He is having money and tax problems, so his friend Oscar, an accountant, comes to his apartment to help him out. Unbeknownst to Bob, Oscar has asked Bob's ex-wife, the titular Mary, to come and help, as she might be able to help, as she and Bob had shared expenses before their divorce. Bob is nervous to see Mary, to the extent that he doesn't want to be left alone with her, and certainly doesn't want Tiffany, his new bride-to-be to meet her. When Mary arrives, she is stronger, more fashionable and perhaps a bit more confident than her ex-husband remembers.
And she is very funny.
Yes, I think Mary is a very cool character who, after the divorce (which was her husband's idea), has worked to become the version of herself that she wants to be. Yes, she still has feelings for ex-husband, and yes, sometimes her confidence wavers, but this is a character who, as John Gassner put it, is just as intelligent and funny as... well, Jean Kerr herself. I like how the play even ends on Mary's own terms. Further, the role of Tiffany, the younger new wife, is also treated like a genuine character, in a role that many playwrights might have written as an airhead young trophy wife, Tiffany also shows her own agency and deeper layers.
There is a subplot about a movie star who wants to publish a book with Bob's publishing company who meets Mary and develops feelings for her, seeing her in a way that Bob never did... until, perhaps, it was too late.
Or was it?
This is by no means a perfect play, but I understand why it was so successful. These characters are pleasant to be around. Jean Kerr, also known for her best-selling collection of essays, Please Don't Eat the Daisies, has one-liners that even Neil Simon would admire. And sorry to keep making the Neil Simon comparison, but I just find it strange that I had never really heard of Jean Kerr's plays until recently. I wonder why she or this comedy isn't as widely produced as some of Simon's classics. Yes, the play is a little dated perhaps, but so are Neil's.
In any case, the play didn't exactly end as I had wanted it to, but it ended in an honest way that, again, didn't short change Mary's growth as a character, and even allowed Bob a little growth, too. Underneath the jokes, there are some genuine ideas about relationships and men and women that might not be groundbreaking, but are interesting.
Jean Kerr was married to the Broadway writer and critic Walter Kerr, and they collaborated on such projects as Goldilocks the Musical and the Tony award-winning King of Hearts.
Jean Kerr passed away in 2003 at the age of 80. Her last play, Lunch Hour was staged in 1980.
If you're interested in staging Mary, Mary you can learn more about doing so on the Dramatist Play Service Website for it.
Looking for a great new play for the Christmas season? Check out my play A Wicked Christmas Carol, which blends the worlds of Dickens and L. Frank Baum's Oz books, providing terrific roles for women with a spin on a classic. CLICK HERE for details.
